Expansion (Pit)
(2005)

Call: Camouflage 1985/2022
(2022)



Maranhāo, Brazil (2025, # 30 Shadow works)
Maranhāo, Brazil (still installation projection, dimensions variable), is a historical collage intervention of two satellite images, one from 1985 and from 2025 showing both legal and illegal deforestation of the Brazilian rainforest.

These works are atypically in rectilinear format, to suit the content (unusual for Bowie's installations). Expansion (Pit) is the building site where Flow was ultimately installed that sits flanking a centeries-old trading road of the of the əəθkʷə̓əm (Musqueam), Sḵw̱wú7mesh Úxwumixw (Squamish), and sə̓lil̓wətaʔɬ (Tsleil-Waututh) Nations that was colonized into the name Kingsway as it met with Main Street. (Each morning, Flow would start with an image of the site in the 1800s, when it was clearcut and burned. This image is found by clicking on Pit
As a group these works posit how landscape has been historically changed under colonialisms' regimens of capital and exploitation with
no regard for the peoples fauna it extracts or destroys. Call (Camouflage 1985/2022) illustrates this clearly (you can read the history
of colonization of that area in particular ). Out of sight, out of minds it is emblematic of British Columbia's ongoing clear cutting.
Call (Camouflage 1985/2022) was one of Bowie's Shadow Works/i>series, where satalite screen grabs of contested sites are paired with
their historical data or altered and then introduced back to Google Earth in the location of the original image as 'faux tourist'images.

Call/Response: Órbitas 2003/2023

Lastly, illustrates how quickly nature can bounce back when nutured and left on its own to recover.
(1+)Response: Orbitas is Bowie's record of her own year terra rehabilitation she undertook by collaborating with other organisms (from 2011-2022)
of her Órbitas project in Guanacaste, Costa Rica.
Fauna is a video compilation of the flora and fauna, mostly insects, that re-populated Orbitas over the 11 year period that Bowie worked on restoration of the once-clear cut site. (you can see and read more about the project here: The Flats, here: Plano Verde and here Orbitas)







© all rights reserved/copyright fiona bowie 2022-2025
All images, sound and text are the exclusive copyright of the artist and may not be used or duplicated without the expressed permission of the artist.
This artwork was created variously in Costa Rica and in K'emk'emeláy̓ (colonially known as Vancouver BC.), situated on the stolen, unceded, ancestral and current territories
of the xʷməθkʷəyəm (Musqueam), Sḵw̱wú7mesh Úxwumixw (Squamish), and sə̓lil̓wətaʔɬ (Tsleil-Waututh) Nations. With respect and acknowledgement
of their aeons-long nationhood, cultures, knowledge, languages and all relations, we support ongoing actions and initiatives here and in the unceded Wet'suwet'en territories.

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...what went down...




Call 1985/2020     (2022)



Projection, installation size variable, to be set facing a projection of identical proportions of Response 2003/2023(2022).

Conceived and installed as a still projection, (installed in cinematic aspect ratio),
Call 1985/2020 is constructed from historical screen grabs from Google Earth Pro.
Like the earlier Shadow Works series, it too functions online (uploaded to the GPS location where the
base material was first grabbed), to be stumbled upon by users browsing photographs while navigating on Google Earth near this particular location.
Information on the work and location.
on the stolen, unceeded territory of the Secwepemc Nation.







© all rights reserved/copyright fiona bowie 2025
All images, sound and text are the exclusive copyright of the artist and may not be used or duplicated without the expressed permission of the artist
This work was created in Sitges, Calalonia Spain, and in K'emk'emeláy (colonially known as Vancouver BC.),
with gratitude and acknowledgement of our host's nationhood; of their unceded, ancestral and current territories:
the Musqueam, Squamish, and Selilwitulh (Tsleil-Waututh) Nations.