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Building R (deathtrap namechange) (2022, #17 Shadow Works), online intervention and still installation projection, dimensions variable.
Building R (death trap name change), is a text intervention of a satellite image of Building 9, the facility where Glyphosate is manufactured by Bayer (who bought out Monsanto,
who sold to avoid class action law suits).
Shadowworks(2025, fr.2011), continues as a series of Google Earth interventions, that the artist considers as an eposodic Documentary. Each work draws attention to major players of Late Capitalism that egregiously damage planet earth.
Bowie turns these sites into documenataries by 'fixing' the images with shadows to reflect on the undisclosed that lay below the veneer of these corporations and systems, and then anonymously uploads them to join what are typically
visitor or resident photos nearby the sites in question.
Shadowworks internet-based public interventions was started in 2011 with Great things never invented (NYSE, #1 Shadow Works)(See Below)
They are meant to be stumbled by the public as they peruse uploaded tourist photos, of areas or landmarks, most often the online territories of curious travellers or direction seakers.
These works also recontextualized as installations for gallery or for situ public artworks to extend their reach.
Shadowworks problematize (and) places on planet earth that have been colonized, polluted, or otherwise detrimentally altered, yet most often remain out of the realm of public consciousness.
They remind the would be traveler or google-earth-tourist that their virtual or actual desitnation(s) are colonized sites, decimated environs, corporate headquarters, or other hegemonic creations and endeavors.
The works are comprised exclusively of images screen-grabbed from Google Earth that are then altered with shadows or texts by the artist and subsequently uploaded back to the GPS location where the base material was first grabbed.
Bowie uploadeds them anonymously, with no reference to the artist's hand in the images' construction, to be stumbled upon by users browsing photographs of a particular site
on Google Earth. Shadow works leave visual residue on interactive maps, primarily google earth: street views, satellite shots or news broadcast stills are given focus.
Dotted amongst the other tiny circular photo icons in the area, when they are clicked, they balloon into sometimes cheeky, sometimes abmonishing images.
Thus reintroduced to locations that they are related to, they are in contrast to the usual picturesque records of travelers uploaded photos.
They are sometimes taken down.
The Neighbourhood (13º27'50.92"N 34º24'53.69"E elev 0m, eye alt 2.08km) (2025,# 38,#39,#40 Shadow works)
The Neighbourhood (13º27'50.92"N...) (2025) are 3 still images of the same neighbourood. For the installation (dimensions variable), each image cast onto exterior sides of a cube, that are meant to be viewed separately as the viewer moves around
the cube. The final wall of the cube has a cut-out the same size as the images that reveals the inner space of the cube painted matt black, so it serves as a void.
Each of the three images show the same area in Gaza, 2017, 2022 and November 2024.

Maranhāo, Brazil (2025, # 30 Shadow works)
Maranhāo, Brazil (still installation projection, dimensions variable), is a historical collage intervention of two satellite images, one from 1985 and from 2025 showing both legal and illegal deforestation of the Brazilian rainforest.

Call 1985/2022, Tk'emlúpsemc te Secwepemc Unceded Territory (2022 # 19 Shadow works)
Call 1985/2022, Tk'emlúpsemc te Secwepemc Unceded Territory, is part of installation on 5.972×10^24 kg (The Situation Room installation)
As an installation, Call 1985/2022,is to be set facing a projection of identical proportions
of Response 2003/2023(2022).
Call 1985/2022 is constructed from historical screen grabs from Google Earth Pro.
Information on the work and location on the stolen, unceeded territory of the Secwepemc Nation.
The Artists years long response at Orbitas
Great things never invented (NYSE, #1 Shadow Works)(2011)
Great things never invented (NYSE, #1 Shadow Works) was the first of an ongoing series of related online public works called Shadow Works that Fiona begun in September of 2011.

Mercury Rising (#7 Shadow works)(2014)

Camouflage 1 (#10 Shadow works)(2014)
This work was created in Samara, Costa Rica, Sitges, Calalonia Spain, Toronto and in K'emk'emeláy (colonially known as Vancouver BC.),
with gratitude and acknowledgement of our host's nationhood; of their unceded, ancestral and current territories:
the Musqueam, Squamish, and Selilwitulh (Tsleil-Waututh) Nations.
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